Production Coordinator at Department of State Headquarters

About the role

This position is located in the Bureau of Global Public Affairs, Office of Video (GPA/DIG/VID). The incumbent serves as a Production Coordinator and technical broadcast production authority, requiring application of both an in-depth, expert knowledge of broadcast operations and systems, including digital signal acquisition technology, video-over-IP, fiber, and cellular transmission systems. Serves as an authority on all audiovisual planning and production. Plans and manages a full scope of daily operational activities, providing guidance to production teams throughout the broadcast production process. Develops and approves production plans and assigns tasks to various project teams and staff. Analyzes requirements for future broadcasting and video production plans and recommends hardware, software, and network capabilities to meet future requirements. Maintains contact with external stakeholders and vendors on the latest developments in audiovisual equipment and techniques. Applicants must meet all the required qualification requirements described below by the closing date of this announcement. NOTE: Applicants must meet time-in-grade and time after competitive appointment requirements, by the closing date of this announcement. Time-In-Grade Requirements: Federal applicants must have served 52 weeks at the next lower grade to satisfy time-in-grade restrictions, per 5CFR 300, Subpart F. Applicants must have 1 year of specialized experience equivalent to the GS-13 level in the Federal service which provided the applicant with the particular knowledge, skills and abilities to perform the duties of the position. Qualifying specialized experience must demonstrate the following: Experience planning and running live TV broadcasts, multimedia projects, and webcasts for senior officials or other high-profile leaders (e.g. developing production plans, coordinating resources, and/or delivering multiple productions). Experience serving as the main point of contact between producers, engineers, camera crews, master control staff, and external stakeholders. Experience applying knowledge of TV production systems, broadcast technology, AV equipment, and digital media workflows to support live and recorded productions. Experience assessing technical needs, recommending improvements, and ensuring reliable broadcast and streaming delivery for multimedia projects. There is no substitute of education for specialized experience for the GS-14 position.